Sequels (续集, 続編, 속편)

I recently caved after seeing this movie pop up on Amazon Prime and suggested for me and trending and every other buzzword to get me to click and watch it: I finally watched "Gladiator 2," starting Pedro Pascal and Denzel Washington and Connie Nielsen.... but no Russell Crowe, who wasn't even asked by director Ridley Scott to appear in the movie because Maximus died in the first movie. Sounds like Crowe and Scott didn't like each other, is what it sounds like. No dream sequence where Maximus wife's sees him in a dream? Flashback scenes? Hallucinations? Nothing? It's just one of the many things that was off about Gladiator 2, with the main thing being that it just wasn't Gladiator the original movie, the live shots of the colosseum, fights with live animals, the whole epic quality of it was just missing, despite them admittedly putting some really cool graphics into it and even having a naval battle in the Colosseum. That seems to be a general rend in Hollywood: the sequel of hit shows just doesn't capture the magic like the original does, and no amount of marketing, cliffhangers, new cast members, etc. to capitalize on the previous movie's success can mask how difficult it is to like the movie, and give a sinking feeling that they've cheapened the original. Gladiator 2 was OK, it didn't completely sink the ship, but The Matrix: Resurrections definitely brought down the reputation of the whole series, and it was a triple stumper on Jeopardy with no less than Ken Jennings dunking on it by sympathizing with the contestants, "I didn't see it neither." When I'm on a plane and have so many options to watch, (and really it's the same at home now too with the amount of movies available through streaming platforms) I will always get lured to the original, more flashy movie with new concepts and new characters than the sequel. Even Disney has the same problem: I heard Frozen 2: (no subtitle) came out but really didn't go to see it, and same with Moana 2: (also no subtitle). Project Hail Mary, Andy Weir's project after the Martian, kind of feels like a sequel to the Martian, and..... has a lot of great concepts, but I do think it suffers a little because it's too close to the original, it's the same plot of man gets stuck in space by himself, has to find a way home. I think it'll be bought as a script (the book pretty much reads like a film script already) and they'll definitely want to stay away from calling it "The Martian 2" or anything suggesting a sequel. My dislike of sequels, however, doesn't extend to TV shows for some reason: sometimes the first season is the best season out of the 5, but oftentimes it takes the showrunners a couple seasons to get into the characters, form a bond, and season 3 becomes the best season. Why do human beings dislike sequels? For me, at least, it's the constant need for new stiumulus, the hedonic treadmill of needing new things all the time. As much as I loved going to new art museums and new sports stadiums and visiting new cities or checking out new restaurants, the second and third times, inevitably, lose a little luster. They could still be great experiences because the first time was so epic that there's plenty of room down from the top, but you never really get back to experiencing that for the first time, it's like your body adjusts to it and it's never as excited or stiumulated anymore. I wonder if it's the same with parents who have their second children, that the first time was so unique and so special (and traumatizing) and so unforgettable that the second kid just becomes old hat, with slightly newer challenges but the same baselilne needs. I bet the moms, though, feel every bit of that pain and turmoil giving birth. It can't be easy going through childbirth again! I wonder if the body just shuts down all memories of the problems of childbirth so that the mother will want to procreate again, and that's how the human race continues and life finds a way. That may actually be similar to how sequels get made, the studios block out all the negative experiences and knowledge that the second movie will not measure up to the first, but makes it anyway for the sake of art, the franchise, and the lifeblood of everything that gets made: Money.